I know it can be disheartening for a writer, having put so much into their work, and after sending it around at best to get a series of rejections and often not to hear anything back at all. Writing rejections, to sometimes very good work and often submissions that have literally involved years of work, is definitely one of the worst aspects of this job though of course we can only publish a certain amount and with so many potential writers out there it is an inevitable task.
So, to provide some kind of encouragement, here is a sample of some 'famous rejections' I happened to come across in a friend's book of funny quotes (a bit hit and miss but a few classics) which he received for Christmas, called They X-Rayed My Head and Found Nothing.
'A period Novel! About the Civil War! Who needs the Civil War now? Who Cares?' Herbert R. Mayes, editor of Pictorial Review, rejecting the serialisation of 'Gone with the Wind'.
'I haven't got the foggiest idea what the man is trying to say.' Rejection of Joseph Heller's Catch 22.
'I think the verdict would be, 'Oh don't read that horrid book'.' Rejection of H.G. Wells's War of the Worlds.
'It is not interesting enough for the general reader and not thorough enough for the scientific reader.' Rejection of H.G. Wells's The Time Machine. (Poor old Wells...)
'It has no reader interest.' Rejection of Frederick Forsyth's Day of the Jackal.
'This will set publishing back 25 years.' Rejection of Norman Mailer's The Deer Park.
'We are not interested in science fiction that deals with negative utopias - they do not sell.' Rejection of Stephen King's Carrie.
'We regret to say that our united opinion is entirely against the book as we do not think it will be suitable at all for the juvenile market.' Rejection of Herman Melville's Moby Dick.
'You're welcome to [John] le Carre - he hasn't got any future.' Rejection of The Spy Who Came in form the Cold.
So basically, what the hell do we know?
Tom